![]() According to Apple, OfflineRT compresses your files to let you record more than five times more video material onto your hard disk. This is a great tool for correcting video images that do not match well because of different lighting or cameras.Īnother feature, the Media Manager, allows you to convert any type of video file (from standard DV to HDTV clips) to Final Cut Pro's new OfflineRT mode. We especially like the Color Corrector three-way filter: a real-time filter that lets you adjust the white, black, and midtone levels in a video image. The video previews are excellent, even when using Final Cut Pro on a relatively slow 667MHz G4 PowerBook. We'd like to see many more transitions added to the roster of real-time effects, including pushes, where one image is literally pushed from one side of the screen to the other. According to Apple and several professional video editors we talked to, Final Cut's real-time cross-dissolve, 5 wipes, and 6 iris transitions will be sufficient for most amateur editors. With a single G4 processor, for instance, you won't be able to use more than a couple of effects simultaneously. Also, your processor limits the number of effects and filters viewable at the same time. Unfortunately, you'll find that only 12 of Final Cut's 60 video transitions and 1 of its 75 video filters work in real time the others need time to process. One of Final Cut Pro's most touted new features is the ability to preview video transitions and filters in real time without having to render the image in color or view it in black and white. Still, Final Cut Pro 3.0 is the best program for Mac professional editors looking for the most powerful, software-based editing application available. ![]() ![]() But Final Cut is not yet the ultimate video-editing tool because the Mac's processor limits the apps' effects. Version 3.0 takes Final Cut Pro even further, with real-time effects, video-signal analysis, real-time color correction, and other new features designed to make your productions even more professional. Still, Final Cut Pro 3.0 is the best program for Mac professional editors looking for the most powerful, software-based editing application available.When we looked at Final Cut Pro last year, it stood out from the midrange video editor crowd, which included Adobe Premiere and Vegas Video, largely thanks to its precise editing tools, slick interface, and powerful composition features. ![]() VideoPad 4.3 (147) View Profile Not provided by the vendor USD 60. Show more + Alternatives Pros & Cons Reviews Popular Comparisons Compare with a popular alternative Final Cut Pro 4.7 (87) VS. Version 3.0 takes Final Cut Pro even further, with real-time effects, video-signal analysis, real-time color correction, and other new features designed to make your productions even more professional. Write a Review What is Final Cut Pro Video editing solution that enables businesses to transcode full-resolution media and share libraries. Now I just want Mac and iPad workflows to feel even more logically interconnected, too.When we looked at Final Cut Pro last year, it stood out from the midrange video editor crowd, which included Adobe Premiere and Vegas Video, largely thanks to its precise editing tools, slick interface, and powerful composition features. It's all a clear reminder that iPads are extremely capable of running high-end software, but I knew that already. Maybe Apple folds its new pro apps into yet another subscription tier in its ever-expanding subscription services catalog. Or, get a year-long included subscription, much like Apple TV Plus and Apple Arcade deals get offered. It's a similar model to how Adobe works, and makes me wonder how many people will choose Apple's new app over another like Adobe Premiere Rush, which also has multitrack timeline editing features.īut it also makes me wonder why iPad Pros just don't come included with Final Cut Pro and Logic Pro. Maybe renting creative tools does make more sense. For sure, in six years' time, Apple will have evolved its Mac and iPad computer landscape, requiring some new software to buy anyway (not to mention whatever mixed-reality features might dovetail with the company's rumored headsets). At $50 a year, that would equal six years of use. ![]() The subscription model also leaves me feeling very mixed: It's a relatively affordable way to add in the pro app to your life as opposed to the $300 price on the Mac. The app mirrors whatever's shown on the iPad display to a connected external monitor, but it feels like this should have been a chance to stretch out the iPad Pro's capabilities. Final Cut Pro doesn't support true external monitor extension, even though iPadOS and M1/M2 chips do. ![]()
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